In my last post, I mentioned the "Jacket a Month for 2011" (which I have been calling "12-4-12" in my head each time I see the name) sew-a-long at Stitcher's Guild. At this point, I have already completed two unlined jackets from Butterick 5567; view B in a yellow wool/polyester blend gabardine and view D in a navy tropical wool that looks like fancy denim.
I have also cut out the jacket from Buttterick 5247 using a nifty brown wool that has burnt orange and off-white threads running through it.
I may seem like I'm really getting ahead of myself (considering it's not actually 2011 yet) on this 12-4-12 challenge, but I know I will be inordinately busy in the spring and summer with the building of the new house. So, I want to build in a buffer of a few jackets already finished for when my time is limited.
Lastly, here are a few more jackets/coats that have captured my imagination lately:
27 December 2010
26 December 2010
The Floodgates are Open
Oh man, I can't stop buying fabric lately. Just the other day, I bought a major crapload of fabric and here I am back at the trough. Lately, I am a fabric glutton and I blame it all on Fabric Mart and their emails of temptation. How is a gal supposed to resist 30% off? Not to mention that I wanted to sign up for the 2011 swatch club and I wanted a mystery fabric bundle. So, I figured I'd kill two three birds with one stone.
I have been on a bit of a navy kick lately, so I picked up (going 'round clockwise) navy wool blend seersucker from Calvin Klein, navy cotton lycra twill from Dana Buchman, navy striped Italian cotton shirting and midnight navy worsted wool. Trust me, that's what they are, even though they probably all just look like massive blobs of navy on your monitor.


I also nabbed a lightweight wool and cashmere blend olive suiting to use for Vogue 7764. I have had this pattern for an age, but I never got around to making it. However, I was recently inspired by the lovely Robin, who is thinking of sewing up this jacket out of a gorgeous plaid fabric. Unlike Robin, who is capable of thinking outside the box in terms of novel fabric/pattern pairings, I decided to be as predictable as possible and use this olive fabric to make view B. Or I may get real crazy and make view B, with view A's collar. So, you'll obviously want to stay tuned for the thrilling conclusion of this important decision.
I guess I just have jackets on the brain because I have decided to join in on the "Jacket a Month for 2011" sewing frenzy that was inspired by Gigi and promoted by Marcia on Stitcher's Guild. I have already finished two jackets and it's not even 2011 yet. I know - I'm really awesome! So, if you are inclined, feel free to meander on over to SG and join us.
I have been on a bit of a navy kick lately, so I picked up (going 'round clockwise) navy wool blend seersucker from Calvin Klein, navy cotton lycra twill from Dana Buchman, navy striped Italian cotton shirting and midnight navy worsted wool. Trust me, that's what they are, even though they probably all just look like massive blobs of navy on your monitor.


I also nabbed a lightweight wool and cashmere blend olive suiting to use for Vogue 7764. I have had this pattern for an age, but I never got around to making it. However, I was recently inspired by the lovely Robin, who is thinking of sewing up this jacket out of a gorgeous plaid fabric. Unlike Robin, who is capable of thinking outside the box in terms of novel fabric/pattern pairings, I decided to be as predictable as possible and use this olive fabric to make view B. Or I may get real crazy and make view B, with view A's collar. So, you'll obviously want to stay tuned for the thrilling conclusion of this important decision.I guess I just have jackets on the brain because I have decided to join in on the "Jacket a Month for 2011" sewing frenzy that was inspired by Gigi and promoted by Marcia on Stitcher's Guild. I have already finished two jackets and it's not even 2011 yet. I know - I'm really awesome! So, if you are inclined, feel free to meander on over to SG and join us.
24 December 2010
Straight from the Hartley
Here's hoping you have a doggone good holiday season! May your days be joyful, your nights be restful and your bowl always full of kibble.
Happy Holidays!!
23 December 2010
The Holiday Post in Which I'm Rude
~~~Caution!~~~
If you are not amused by immature sexual humour, bypass the beginning and head on down to the "Safe Zone" toward the bottom of this post.Alright, now that all the old fuddy-duddies are gone, the rest of you pervs can proceed...
In the past, I have confessed that one facet of my sense of humour is that of a hormonal twelve year old boy. Using the words "shaft", "probe" or "package" in my presence is guaranteed to have me devolve into fits of giggles. I have tried to develop a more sophisticated funny bone (snarf!, I wrote "bone"), but alas, I am still mired down by juvenile inappropriateness.
So, bearing that in mind, you won't be surprised that the following decorative lights at a local park had me snickering.
C'mon, I cannot be the only one that sees distinctly non-Christmasy things here.
Okay, maybe I am.
Anyhoo, on another (very related) note, Hartley is recovering from surgery today. Yesterday, he got the "Big Snip" and now he is now two balls short of a load. Poor little man.
*********************SAFE ZONE*********************
Lastly, for all the readers that aren't fans of blatant innuendo, here are some more holiday light pictures. There's not a rude one in the bunch. (Okay, maybe the last one is a bit boobalicious, but you'd have to be a real prude to be offended by it. So, if you are a real prude, avert your eyes, go no further and ignore this whole post.). Enjoy! Can you tell I live in an area surrounded by water. Maritime Christmas, anyone?
22 December 2010
Hungry Zombie Tip of the Day
Do you hate finishing the edges of facings as much as I do? Folding down that teeny tiny little hem on the curved edges of the facing is mucho annoying. So, I handle the whole situation another way. Check it out below.
1. Cut out the facing in your fashion fabric and in your interfacing just like normal.
2. Pin each fashion fabric piece to an interfacing piece, right sides together (this means that the right side of the fashion fabric and the non-gluey side of the interfacing should be together).
3. Sew a 5/8" seam on the edge.
4. Trim the seam to 1/4" in width. This makes the next step easier.
5. Turn the interfacing over so that the wrong side of the fashion fabric and the gluey side of the interfacing are together. Carefully iron the interfacing to the fashion fabric, ensuring that the interfacing does not show on the good side of the fashion fabric along the curved seam.
6. Stand back and admire your handiwork. You now have a fully enclosed seam that is finished beautifully and cleanly! Hungry Zombie says, "Sew smart. Use your braaaaains..."
The facing in the pictures above is for view B of Butterick 5567, which I have making out of a wool/polyester blend gabardine (which is behaving like a royal PITA, but, that is a story for another day).
1. Cut out the facing in your fashion fabric and in your interfacing just like normal.
2. Pin each fashion fabric piece to an interfacing piece, right sides together (this means that the right side of the fashion fabric and the non-gluey side of the interfacing should be together).
3. Sew a 5/8" seam on the edge.
4. Trim the seam to 1/4" in width. This makes the next step easier.
5. Turn the interfacing over so that the wrong side of the fashion fabric and the gluey side of the interfacing are together. Carefully iron the interfacing to the fashion fabric, ensuring that the interfacing does not show on the good side of the fashion fabric along the curved seam.
6. Stand back and admire your handiwork. You now have a fully enclosed seam that is finished beautifully and cleanly! Hungry Zombie says, "Sew smart. Use your braaaaains..."
The facing in the pictures above is for view B of Butterick 5567, which I have making out of a wool/polyester blend gabardine (which is behaving like a royal PITA, but, that is a story for another day).
21 December 2010
Cylon Night
I made this fabulous snowflake* for Angie. Because nothing says 'holiday spirit' like six murderous robots.
* I wish I could take credit for this awesome idea, but I have to tip my hat to Pixels Review.
* I wish I could take credit for this awesome idea, but I have to tip my hat to Pixels Review.
20 December 2010
The Slippery Sloper
A few days ago, I received the following question and I am just now getting a chance to answer it.
Shelley wrote, "When I read about how to sew clothing, all the books talk about making a muslin, usually starting with a dressmaking pattern. The problem is (well, the first, there are probably many) that my books tend to be rather vintage and the commercial patterns they suggest seem to be out of print. Is there a commercial dressmaking pattern you could recommend for a novice sewer for this purpose? I’ve dreamed of making my own clothes for most of my life and it’s time to either get on with it or give up the dream. I’ll be very grateful for any advice you might give."
It's sounds like you are referring to a "sloper" or "block" or "fitting shell" rather than a muslin. Back in the day, all dressmaking books suggest making a sloper and many modern seamstresses still swear by them. The basic concept of a sloper is that you create a snug fitting dress (usually, but you can create a pants sloper as well) that has a bodice, with sleeves and straight skirt joined at the waist. For example, below are the dress (V1004) and pants (V1003) fitting shell patterns offered by Vogue. This Burda Style link also provides other sloper resources.

Shelley wrote, "When I read about how to sew clothing, all the books talk about making a muslin, usually starting with a dressmaking pattern. The problem is (well, the first, there are probably many) that my books tend to be rather vintage and the commercial patterns they suggest seem to be out of print. Is there a commercial dressmaking pattern you could recommend for a novice sewer for this purpose? I’ve dreamed of making my own clothes for most of my life and it’s time to either get on with it or give up the dream. I’ll be very grateful for any advice you might give."
It's sounds like you are referring to a "sloper" or "block" or "fitting shell" rather than a muslin. Back in the day, all dressmaking books suggest making a sloper and many modern seamstresses still swear by them. The basic concept of a sloper is that you create a snug fitting dress (usually, but you can create a pants sloper as well) that has a bodice, with sleeves and straight skirt joined at the waist. For example, below are the dress (V1004) and pants (V1003) fitting shell patterns offered by Vogue. This Burda Style link also provides other sloper resources.

The goal with the sloper is to create a garment that fits you like a comfortable glove. Using your personal measurements, you want to make changes to the sloper to ensure that all your unique fitting issues are addressed. For instance, I would adjust for my small shoulders, yet relatively broad back, as well as my small waist, tiny bust and large hips. For work clothing, I would ensure that my bodice and sleeves allowed me to write comfortably on a chalk board (I'm a teacher) and that my skirt would have enough sitting ease.
Once you have a well-fitting sloper, then you can use it to check the fit of commercial patterns you may wish to make. This is done by laying your personal sloper pattern pieces over the commercial pattern pieces to look for any changes to be made. For instance, I would check that the shoulder length and armscyce are the correct dimensions and adjust accordingly. Or you can use the sloper to draft patterns of your own. This is done by adding design elements to your basic sloper. For example, you could slash your sloper to add interesting seaming details or colour blocking effects. Check out this sloper series, as well as the link above, for more details.
All that said, I do not use a sloper. I have been sewing long enough that I can just flat pattern measure vital areas (shoulders, bust, waist, hips, etc.) and add or remove tissue to accommodate my particular measurements. If I am planning on using a very expensive fabric or if the pattern is very intricate, I will create a "muslin" or "toile." A muslin is a quick and dirty mock up of the desired garment in a fabric of similar weight and drape to the final fashion fabric. All major pattern pieces are used (bodice, sleeves, collars, skirts, etc.), as well as any closures (zipper, buttons, etc.), but facings are not. This allows me to determine if the major fitting issues are addressed before cutting into the good fabric. Often, if the garment is to be done in a forgiving knit/stretch woven, I will throw caution to the wind and just go for it, after a few quick flat pattern measurements.
I am also a fan of using TNT ("tried and true" or "tested and true", depending on who you ask) patterns. These are patterns that I have made over and over, tweaking the fit on each successive garment until I have the perfectly fitted pattern. I have several TNTs - pants, tops, skirts, dresses, jackets and coats - and by simply using an array of fabrics, I can get many different looks. As well, I will add or delete design details to arrive at a completely different look.
So, I guess the moral of the story is that you have to decide which method suits you the best - sloper or muslin or just diving straight in.
HZC readers, how 'bout it - do you have any additional info or insights for Shelley?
18 December 2010
Better than Lithium
I have not been the usual productive me the last few months. I haven't felt like sewing or blogging or doing much of anything. Besides being sick constantly with a string of colds and a bout with the flu, I have been lazy and a tiny bit depressed. Not clinically depressed or anything, just not my normal, bouncing-off-walls, energy-to-burn, spazztastic self.
Well, I want to throw off the shackles of apathy and get back down to business. In order to kick start my return to the land of the stitcher, I have finished my cowl neck dress (pictures will follow very soon) and I have started work on a coat for Hartley.
And I have purchased fabric.
What better way to salve a broken creative soul than to slather it with the tools of the trade? Nothing gets my juices flowing more than some new fabric and Fabric Mart was very obliging by placing their wares on sale. So, I imbibed.
I mean, really, how could I resist these gorgeous Armani suiting fabrics?
Or these fabulous boucles, which will transform into pretty jackets?
Or these luscious bamboo knits that can be whipped up into amazing new tops?
Or these Cache ponte knits that are so excellent for some comfy winter dresses?
Well, I want to throw off the shackles of apathy and get back down to business. In order to kick start my return to the land of the stitcher, I have finished my cowl neck dress (pictures will follow very soon) and I have started work on a coat for Hartley.
And I have purchased fabric.
What better way to salve a broken creative soul than to slather it with the tools of the trade? Nothing gets my juices flowing more than some new fabric and Fabric Mart was very obliging by placing their wares on sale. So, I imbibed.
I mean, really, how could I resist these gorgeous Armani suiting fabrics?
Or these fabulous boucles, which will transform into pretty jackets?
Or these luscious bamboo knits that can be whipped up into amazing new tops?
Or these Cache ponte knits that are so excellent for some comfy winter dresses?
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