I will continue talking about my Rucci-inspired jacket. For anyone that needs to catch up, see the first post.
Design Prep: The jacket pattern I choose to use has a straight front opening with cut on facings. I wanted the appliques to relate to each other across the front opening and since there are no closures (buttons, etc), it made this much easier.
I decided to knock off the applique design from the runway picture of the Rucci suit. I had tried


Since portions of the appliques would overlap each other, I redrew the design with all the lines included (see photo at left). Each individually coloured section (marked with letters) was then traced again onto another sheet of paper, ready to be laid on the prepared fabrics.
Fabric Prep: The jacket centre front was fused with interfacing to provide a stable backing for the appliques. Interfacing was also block fused to each applique fabric. Each section of the design was pinned to the appropriate fabric and two (or four, depending on the section of the design) mirror image pieces were cut out. Since the fabric had been block fused, the cut out applique pieces had crisp, fray-free edges for the remainder of the construction process.
Up Next: Applique placement and application, as well as final project photos.
1 comment:
This is pretty much how I do some of my applique. The only problem is if I don't retrace, I lose the original artwork.
I also number the pieces in the order that they must be appliqued and draw slash marks over lines of overlap; those ones that you'd only finish one side of the piece because the other side is hidden underneath another piece.
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