24 November 2008

Canadian Blog Awards


I am so deeply honoured that Connie has nominated me for a Canadian Blog Award in the "Best Activities Blog" category. Not that I'm telling y'all what to do or anything, but if you wanted to, you could go check it out and if you happened to vote for me that would be cool too... :)

23 November 2008

Blast from the Past

In a previous post, I wrote about my belief that every good sewist must be willing to take risks. I feel this is especially important for many beginners. Very often, on discussion boards, new sewists will ask advice on the best first project. Typically, suggestions to make pillow cases, very simple aprons or other non-challenging articles abound. For some people, this may be exactly where they should start. Success on a simple project will likely create a sense of accomplishment and inspire the sewist onward.

For others, this inauspicious start may result in boredom and a desire to pack it in and look for a different, more satisfying hobby. I fall firmly in the latter category.

My first foray into sewing was in grade 7 home ec class. First, we were all lectured on the safety rules associated with operating a sewing machine - which although not fun to listen to as a child, I agree is a necessity. Then the real tragedy ensued (at least for a kid like me). We spent days "sewing", sans thread, on pieces of paper that had simple shapes drawn on them. Our goal was to have a neat line of needle holes on top of each shape, which was supposed to help in the mastery of sewing straight lines, curved lines and turning 90 degreee angles. This was pure torture for me. I wanted to sew something real.

As a teacher and a self-proclaimed anal retentive, obsessive compulsive freak, believe me, I know that structure and learning the basics is the best way to teach a new concept. At least in the beginning, when your student is a clean slate. Once they begin to show an apptitude for the skill and express an interest in moving forward, it is time to provide more freedom and latitude. I never got that chance in grade 7 home ec. So, I didn't show an interest in sewing again until grade 12.

Fast forward 5 years. It was the 1988 Prom season and I had spent days trying on dresses and coming up empty. Anything that was reasonable in price was not what I was looking to wear. That was when I expressed an interest in creating my own dress. To mother's credit, she didn't even blink an eye. She set me up on her sewing machine, bought me the pattern of choice (Simplicity 8006* to which I added a "shawl" that attached at the front bodice) and took me to a wonderful independent fabric shop and helped me pick out fabric and notions. I cut out the pattern and made one quick trial dress. Ironically, back then I didn't even know that the word "muslin" existed, I just knew it would be a good idea to check the fit before cutting into the good stuff. Content with the fit, I proceeded onto the actual Prom dress. At no point did I even consider that maybe this was too difficult for a first project and thankfully, neither did anyone else.

In my opinion, my dress turned out pretty darn good. I got a ton of compliments from my friends, my boyfriend thought I looked great, I saved a bunch of money and I learned a valuable skill. The vision of the perfect dress that resided in my head was turned into a reality. I am thankful that I was allowed free reign and that I was only given advice when I requested it. Had I been told to take the safe route and sew a pillowcase first, I can't imagine I would enjoy sewing as much as I do today.

So, for anyone that teaches beginner sewing, whether formally in a classroom or informally in your home to a friend or family member, please let the students determine your curriculum (at least to an extent) based on their interests and capabilities. Provide knowledge of the basics, but then back off and let them blossom. It's amazing what can be accomplished when creativity is allowed to run free.


* I have long since lost/given way/disposed of this pattern, so I was tickled to find that it is available at Out of the Ashes Collectibles.

21 November 2008

10 000 Hours = Sewing Expert?

Carolyn, of Diary of a Sewing Fanatic, wrote a post the other day, inspired by Erin, of A Dress a day. The basic premise of Erin's post was that to attain true sewing expert status, you have to devote copious amounts of time (upwards of 10 000 hours) to sewing. Carloyn, after reading Erin's post, asked the following questions:

Are you the best of the best in this craft? Are you just good enough? Or are you mediocre and working on improving? And finally, do you believe this theory to be justified? Can you really be the best of the best without some talent, or is it just about the time put into the process?

I have been mulling this over for a few days now and purposefully avoiding reading the comments to Carolyn's post, so as not to be swayed by other viewpoints.

Of course, the first thing I did was to calculate my hours-logged tally. I first began sewing when I was 17 years old and continued to sew until mid-university, then I took a break until 2005, at which time I dove back into sewing with a vengeance. This leads to two distinct periods of regular sewing activity during my lifetime (I am ignoring my sort quilting phase):

t = (5 y)(12 mth/y)(15 h/mth) + (3 y)(12 mth/y)(85 h/mth) = 3 960 h

According to Erin, her time logged is approximately 4 500 h, which she claims puts her in the mediocre category (far below the 10 000 h expert status). So, using my calculation above, I fare even worse - what is a step down from mediocre? abysmal?

Well, all humility aside, I don't think I'm abysmal or even mediocre at my craft, but I also don't think I'm expert. If asked to honestly evaluate my skills prior to this calculation, I would have claimed to be exceptional at some things and pretty good at others. I feel have conquered what many claim to be the holy grails of garment sewing: bound buttonholes, welt pockets, zipper insertion and appropriately combining pattern with fabric, to name a few. I have a good handle on tailoring techniques (although I have never sewn a completely hand tailored jacket - however, it is on the to-do list). The only areas that come to mind where I long for improvement is in fitting (I can fit myself well, but I have yet to acquire the skills to consistently fit others) and in draping (something with which I have only dabbled).

So, I strongly disagree that time spent is an adequate measure of sewing skill. Like the accomplishments of a virtuoso, a star athlete or a scientific genius, I truly believe that sewing prowess is an innate gift, that is honed and developed through practice and research. Study and repetition alone however, can only take you so far - you need an intuitive grasp of your art to transcend the ordinary. For example, quite often I am blown away by the work of beginners, while I am left cold by the work of sewists that have logged countless hours. I also think that having a willingness to experiment and the fortitude to take risks is necessary for entry into the sewing hall of fame. Too many sewists allow fear or uncertainty to squelch their evolution and it really is a shame.

So, in conclusion, I look around and see a range of sewists, from those that have the "gift" all way to the other extreme. But, in the end, whether you are a born sewing savant or still struggling to master simple techniques, the most important factor is to enjoy the process. For instance, I have a decent voice, but I'm certainly no Ann - however, that doesn't stop me from belting out a tune when the inclination hits...

17 November 2008

Confession Time

Okay, I have obviously been lax with my blogging the last few months. I have been busy with work and life's little ups and downs, but that is not the main reason I have ignored my blogging duties. So, it's time to come clean.

I really like blogging. It provides me the opportunity to share my creative side with people. I also take pleasure in creating tutorials and sharing my knowledge with others. I hope that the small efforts I make on HZC help inspire people and occasionally teach them something new.

These were the main reasons I started this blog, but over time, I came to find writing here was cathartic, much like writing in a diary or a journal. A blog, although accessible by many millions of people can still be deeply personal and a measure of anonymity can be maintained. In much the same way I would never allow a close friend or relative to read my diary, I never wanted this blog to be read by people from my "real life." I wanted this blog to be completely distinct from my day to day life - an escape where I could nurture my artistic side and for the most part leave my teacher/scientist/wife/daughter/friend sides out of it. For that reason, I have never invited any of the people from my real life to visit my blog (heck, my best friend doesn't even know I have a blog).

Unfortunately, some of the people from my real life have stumbled upon this blog it makes me uncomfortable (to the point of not posting) to know that they read it. If they had found the blog and never said a word to me about it, I would have been okay with that. However, some of them feel the need to bring it up every time I post (despite my obvious discomfort when they do so) and some even go so far as critiquing my posts.

So, to those of you that know me in real life, I am humbly asking for the following considerations. If you must read my blog, don't tell me about it, don't make suggestions or corrections and don't send the address to other people that I know in real life. Please allow me to go back to blissful ignorance of your reading habits, so I can start posting regularly again. Thank you.

1 November 2008

To SWAP or not to SWAP

As many of you know, when Julie of Timmel Fabrics closed down her operations earlier this year, the annual SWAP contest was in peril of ending. Well, the ladies at Stitchers' Guild came to the rescue and the SWAP is indeed on again this year. The rules are the basic originals (1 jacket, 6 tops, 4 bottoms - all tops match all bottoms and the jacket pairs with each combo), with the only main difference being the time line. Sewing begins today, November 1st, 2008 and ends April 30th, 2009 (ie, a 6 month time span). The twist this year is that the wardrobe must be sewn for a week in your real life (whether you are a professional, a retiree or a SAHM).

Since the announcement came out (several months ago) that SWAP would once again take place this year, I have wavered back and forth (and back again) as to whether I would throw my hat in the ring again this year.

I have participated in the past three SWAPs and my wardrobe is better for it and adding more clothes to my closet is never a bad thing. However, a 6 month time line seems painful to me - when I decide to sew...I sew...now...no messing around, so trying to stretch this out for 6 months could be torture. However, I suppose I could just sew everything up quickly and then just add additional pieces as a SWAP extension. I do, after all, have the following SWAP (plus extensions and some of the extension garments are started) that I planned out last year. I'm just not sure I'm willing to commit to the actual contest. Maybe, I'll just sew along. But then, why not just enter? Ugh...see, I go back and forth. I guess there is no real hurry, I have 6 months to decide!

In other sewing news, I have been really looking at my stash of Loes Hinse patterns lately. I have a lot of holes in my professional winter wardrobe and I want to whip up some nice looking, simple, sophisticated clothes to plug the leaks. I have always liked the LH (and Textile Studio) patterns, but I haven't always used them to the fullest, so I'm going to be starting a LH sewing marathon. My greatest needs are for bottoms (pants and skirts), so I will start there. Hopefully, before this weekend is over, I will have at least one pair of pants and a skirt done. We'll see...








12 October 2008

Asain Influence

I received the following e-mail the other day and I though I would reply to it here (hopefully, you don't mind Monica), just in case anyone else could use this info.


Hi Shannon:

Firstly, let me say that my sewing buddy Lynn and I love your blog and your work. You are quite a talent.


Secondly, I’m sorry about your mom and your Fifth Disease. I hope you are back in the pink soon!


Thirdly, I wanted to ask you about those super beautiful Japanese pattern books by Machiko Kayaki that I saw on your blog (by the way, maybe I should have written this as a post to the blog, but I couldn’t figure out how to do that!). How do you know which one to buy? I am really smitten with the overall aesthetic of them and seriously driven buy from yesasia. Who cares if I can’t actually read them, right?! But how do you pick which one(s) – do you have ones you recommend over others? Have you seen the inside of many? Do the skirt books have just skirts, but the ones with titles like “Sewing Lesson,” “Pindot Polkadot Coindot,” or “Home Couture” have more general patterns? Is there any English in any of them, other than on the cover?


Well, I hope I’m not bothering you with these questions. Also, let me say, I am sorry that you don’t have sewing buddies there in Ontario. But I’m glad you have found lots of them by having a blog!


Cheers,

Monica




Monica (& Lynn), thank you so much for your kind words and your well wishes - the sewing community online is made up of such a wonderful group of people. Too bad we didn't all live just a smidge closer together - just think of the fun!

Now, on to the JPB (Japanese pattern books). I first became interested in JPB when Tany and Angie mentioned them on their blogs. Like you, I was instantly smitten with the aesthetics of these books - the clothing and the photography is so appealing to me. So, I was on a mission to find out as much as I could about these magical Asian books!

Altough, yesasia.com sells the books, they don't give any glimpses into the books, which is a bit of a disappointment. For that I had to search up a storm. I have found the following sources useful for locating pictures of the garments inside the JPB.

1. eBay - search for JPB using the keywords, "Japanese pattern books", "Machiko Kayaki", "Sato Wantanbe", "Yoshiko Tsukiori" or book titles. The people that sell these books usually have pictures of the pages in their auction ad. If you click on the keywords I've listed, you will be taken to some great examples by my favourite designers.

2. Japan Couture Addicts blog - although this blog is in French (which I can read to a very, very limited extent), it is a great place to see pictures of many garments made up. The left hand margin shows pictures of the JPB covers, which can be clicked on to be taken to the garment photos provided by contributors of the blog. Excellent resource!

3. Google - enter the same keywords as for eBay to find blogs and websites with tips and further info.


As far as what kinds of patterns can be found in the books, you are correct, the title tends to give a glimpse into the contents. Most of the books I own (Sewing Lesson, Simple Chic, Pindot Polkadot Coindot Etc, Home Couture, Retrospective is Stylish) contain many types of clothing including skirts, tops, jackets and dresses. Two of my books (Skirt a la Carte and Utsukushi Silhouette no Skirt Angkor Shitakunaru My's Size no Kawaii Smart Style 27) are all skirts. There are yet other books aimed at children or soft toy crafters, but I have no interest in those so I can't say much about them.

In terms of recommending one book over the others, I can honestly say I absolutely love several garments from each one of the books I own. If forced to chose one book, I would pick "Home Couture My Standard" by Machiko Kayaki. I gravitate toward clean, simple lines with a retro flair and this book has that.

Here is some further information about the books themselves that I have noticed during my experience with them:

*JPB are pretty much completely in Japanese (natch), with the occasional bit of English to describe the garment. However, if you are a decent seamstresses, there are enough pictures to work through the construction of a garment. Most of the clothing is simple enough that a good sewing reference book (or sewing experience with similar garments) should be enough to get you through.

* The sizing is different than North American pattern companies. First, the measurements are in metric and second, the patterns run fairly small. See this blog entry for the measurements.

* Full sized patterns are included with the JPB. The pattern sheets look like a BWOF (Burda World of Fashion) pattern sheet, with 4 or 5 different patterns (in all the sizes) overlapping on a large sheet of heavy weight paper. Therefore, the patterns need to be traced onto another paper before use. To say the pattern sheets can be a bit confusing is an understatement. All the patterns are in black ink, unlike BWOF (which uses different colours for different patterns), so I recommend highlighting the lines before tracing or you may end up cross-eyed and frustrated!

* The patterns do not include seam allowances, again just like BWOF. However, each pattern has a suggested fabric layout guide and suggested seam allowances (usually 1.5 cm) and hem allowances (usually 1 to 4 cm) are shown on it.

* There are not as many notches and symbols as can be found in the North American companies (Butterick, Vogue, etc), but again the designs are typically fairly simple, so it's not to hard to figure out what is attached to what and where.

In closing, I think it is only fair to come clean that I have not actually made up any of these patterns yet, although I do have one traced out. So take my advice with a grian of salt. Hopefully, I will get an article or two of clothing made up in the near future, but you know all about the best laid plans...

4 October 2008

Just call me Thyphoid Mary

Two weeks ago, I said that I was going to start posting again, didn't I? That was before all hell broke loose in my little corner of the world.

Consider the following...

Two weeks ago my Mom was in a car accident. I'll spare you all the gory details. Suffice it to say that a woman (stopped at a stop sign) pulled out in front of my Mom (who was traveling down a through street) and my Mom was unable to avoid her. Several blown air bags and one totaled Chrysler 300M (my Mom's retirement gift to herself a few years back) later and my Mom was in the market for a new car. Other than some stiffness and bruising, she is fine - no broken bones and no death (which is always a good thing). She now has a brand new, bright red, Chrysler Sebring and is doing well. So, one disaster averted.

One week ago, I started with cold-like complaints and fatigue. In short order, I started to get itchy and noticed small, raised welts on my torso. The itching quickly became unbearable and the rash started to spread outward toward my extremities. At first, I couldn't figure out what was happening to me. Do I have hives? Is it an allergic reaction? Then I remembered the young lady in my class the had similar symptoms. I also remember the local grade schools have had an epidemic of Fifth disease. So I start to google like mad trying to find out more. Hmm, Fifth disease is most common in 5 to 15 year olds. By adulthood only 50% of people are susceptible and I apparently am in that 50%. Yeehaw. The good news is that my immune system seems to have made quick work of the virus (although I have been sleeping a ton this weekend) and I seem to have avoided the swollen and stiff joints that can sometimes accompany the adult version of the disease. So now, of the five classic childhood exanthems, I have had two - I guess I can look forward to measles, rubella and scarlet fever at a later date. Sigh.



On the sewing front, not much has happened at Chez Shannon. Although I'm, itchin' (pun intended) to get back in front of the machine.

In other related news, I haven't bought any fabric in over two months - could it be that I have reached stash saturation? Only time will tell...

20 September 2008

Um, hi again...

Do you ever get overwhelmed? Do you ever feel like you're spread so thin you're going to snap? Do you ever look around you and all you see are things that need to be done and people that want things from you?

Well, I do. It doesn't happen very often, but when it does, look out, it's a doozy.

I know some of you are wondering about my lack of blogging and my long absence from discussion boards and other sewing related outlets. (Actually, let me take this opportunity to thank everyone that has sent emails inquiring as to my whereabouts - I appreciate that you care enough about me to take the time to write. It touches me so deeply that people I have never formally met can become such wonderful friends.) I guess I just needed a break from the world. I can't take a break from my family (they seem to find me wherever I try to hide!) or from my job (gotta pay the bills, you know), so the only other choice was to take a break from sewing and blogging. Something had to give and unfortunately, my cherished hobbies ended up being collateral damage in my need for some down time. It has been at least three months since I really had the drive to sew and I haven't bought nor have I had the desire to buy any fabric in ages (gasp! now you know I'm a mess!). Hence, the blog silence - what was there to blog about?

Well, I'm tentatively starting to feel like myself again. I miss sewing and I miss blogging and most of all, I miss interacting with my sewing sisters. I have no one in my daily life that sews, so my long distance friends (all of you) are very important to me. I have a few projects in mind for my triumphant (I hope) return to the sewing sphere. Unfortunately, this weekend is all about painting the LR, DR and kitchen, so don't expect much just yet.

To prove that I am clawing my way out of my funk, I leave you with the some of the best medicine to turn a girl around and make her love life again. Check out the latest additions to my shoe wardrobe - Naturalizer has been offering some really nifty shoe designs the last few seasons and this fall is no exception.